Peter Lane’s focused body of work meticulously explores the nuanced expression capable of small vessels. Lane’s vessels often attempt to explore a single variable. Some rely entirely on studies of translucence and relief such as his works in Ice porcelain. Other works relinquish any texture or pronounced edges other than their rim and base concentrating on a body of single curvature to layover impressionistic landscapes or illusions of texture .

There are some works however that act as a dialogue between two techniques, studying the exchange between contrasting elements, one of which we have the privilege of reviewing. Lane’s bowl is grounded by minimalism, though it stands precariously on pointed foot its worn gradient from muddy patina to cream hue instead leaves it floating at first glance. The asymmetry of detail leaves the work top heavy, yet keeps the eye skirting across its ornate rim. This unassuming form is given landmarks through minor oculouses grouped in triplets, channels carved to provide structural hierarchy providing roads to carry one’s gaze over humble peaks along the vessel’s rim. All only provide distraction as ones eye dives ever downwards, where detail decays and leaves no resolution to one's journey. As if worn away by passing tides, or use by many hands, the remainder of the narrative is left unanswered.

Peters work often provides satisfaction through his expertise and variety of resolved forms from series to series, but in this case, leaves us wanting for more.